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The Langley Engravingand an Abstract of the Old Chargesby Shawn Eyer, P∴M∴![]()
Frontispiece
The Builder's Jewel, or, the Youth's Instructor and Workman's Remembrancer Batty Langley and Thomas Langley London: R. Ware, 1741 from a design by Batty Langley (1696–1751), engraved by his brother, Thomas Langley (1702–1751) The frontispiece appears bearing the Masonic year, "A[nno]. L[ucis]. 5741." This is important early evidence for the symbolism of Ancient Craft Masonry. First, it shows that many of the symbolic associations that exist today were already in place in before 1741, despite many claims to the contrary. Particularly notable are: the specific associations of the three orders with Wisdom, Strength and Beauty (and the officers which embody those ideals); the Blazing Star on the Mosaic Pavement; the point/line/plane/solid diagram; and the "H" and "G" on the ground, apparently in reference to the "Holy Ground" of the lodge floor. In the background, immediately below the numeral 15, may be represented what some early brethren called the "mossy house" of the slain master. It is topped by a shrub, perhaps meant to be an Acacia. The number 15 is likely in reference to the legend current at that time that Solomon sent "Fifteen Loving Brothers" out to locate the missing architect. This phrase is found in Samuel Pritchard's 1730 exposure, Masonry Dissected: Fifteen Loving Brothers, by Order of King Solomon, went out of the West Door of the Temple, and divided themselves from Right to Left within Call of each other; and they agreed that if they did not find the Word in him or about him, the first Word should be the Master's Word. Early features visible here that became rare in later designs include the "Wind Blowing East and West," the visage of Hiram Abiff, and the clock at High Twelve. This engraving covers all of the Blue Lodge degrees, but it represents an early version of the "three pillars" design that eventually would become the standard tracing board of the Apprentice degree specifically (as well as the standard form for English Grand Lodge certificates). It could be Batty Langley's original design (in which case, he is the unsung originator of an important part of Masonic symbolism), or it may be drawn from lodge boards in use prior to 1741. A Later Version
English writer Julian Rees has brought to light the strong parallel between Langley's engraving and a later American version. This painted adaptation of the Langley board (pictured, right) originated in Hobard, New York in the early nineteenth century. The design shows some evolution, but still follows the essential pattern first delineated approximately one century earlier. Added are: Jacob's Ladder (with five angels), the Hourglass (with wings, representing Tempus Fugit, the Pot of Incense, the 24-Inch Gauge, the Trowel, the Gavel, and the Three Steps. Certain details have, in turn, disappeared. The "E" and "W" are still there, but with no allegorical figure of blowing upon them... leaving them decontextualized. The background depicting the grave of Hiram upon the hill has been completely dropped. The existence of this painting shows that the Langleys' engraving was known to Masons in the New World many decades after it first appeared. Brother Langley's Career
Although the place and date of his initiation are unknown, one may deduct from several facts that Bro∴ Langley was an enthusiastic Mason. First, some of his books bear Masonic dedications. In 1726, he published Practical Geometry, which was dedicated to Lord Paisley, as "the Head of a most Ancient and Honourable Society." At that time, Paisley was the Grand Master of Masons in England. In another work, Ancient Masonry (1736), his dedication concludes, "to all others the Right Hon. and Right Worshipful Masters of Masonry, by their humble servant and affectionate brother, B. Langley." Another evidence of his zeal for the Order is that he adopted the pseudonym "Hiram," and used it at times in public writing. Furthermore, Langley bestowed names such as Euclid, Vitruvius, Archimedes and Hiram upon his sons. Finally, it must be noted that in one of his books, Langley records an account of the history of Freemasonry. The story follows the pattern of the so-called "Old Charges." Langley's Abstract is regarded by Wallace McLeod as drawn partly from early manuscripts of the Old Charges, and partly from Anderson's updated version as given in the Constitutions of 1723. However, it is equally likely that Langley was simply summarizing the manuscript history that was passed down in his lodge, with no particular knowledge of its sources and no assembly on his part. Langley's Abstract, like some other versions of the Old Charges, includes reference to Euclid and "Hermes, the Father of Wisdom," in the middle of an otherwise Biblical account. The Langley Abstract of the Old Charges (H.4)In the fourth edition of The Builder's Complete Assistant (1736), Bro∴ published the following account of the history of Masonry:
PART II. OF GEOMETRY.
Introduction.
References
Curl, James Stevens. Georgian Architecture. London: David & Charles, 1993.
Gould, Robert Freke. The History of Freemasonry: Its Antiquities, Symbols, Constitutions, Customs, Etc. New York: John Beacham, 1884. Harris, Eileen. "Batty Langley: A Tutor to Freemasons." Burlington Magazine 119 (May, 1977): 327–35. Langley, Batty. The Builder's Complete Assistant. Fourth Edition. London: I. & J. Taylor, 1736. Langley, Batty & Langley, Thomas. The Builder's Jewel, or, the Youth's Instructor and Workman's Remembrancer. London: R. Ware, 1741. Lovegrove, Henry. "Batty Langley on Geometry." Ars Quatuor Coronatorum 11 (18): 134–36. McLeod, Wallace. "The Old Charges." Heredom 14(2006): 105–144. McLeod, Wallace. "Batty Langley." Philalethes 38(1985), no. 2: 16–21. Rees, Julian. Tracing Boards of the Three Degrees in Craft Freemasonry Explained. London: Lewis Masonic, 2009. |